Posts Tagged ‘children’s books’

The Day Boy and the Night Girl

Sunday, May 7th, 2017

The Day Boy and the Night Girl (1879) is a fairy tale by George MacDonald about a witch who raises two children in a bizarre experiment – the girl, Nycteris, never sees the sunlight, and the boy, Photogen, never sees the night. The two escape and meet at the twilight hour to help each other overcome their fears of dark and light. It’s an eerie romantic allegory which also subverts male/female fairy tale roles. MacDonald was an unorthodox preacher turned writer whose fantasy tales inspired both Tolkien and C.S. Lewis. My favourite is The Light Princess (1864) a witty story about a feisty  princess who has lost her gravity – she floats like a helium balloon and can’t take anything seriously, even a prince who gives up his life for her.

MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. His stories are profoundly experimental and subversive. – (The Complete Fairy Tales of George MacDonald)

King of the Golden River

Saturday, March 11th, 2017

The King of the Golden River (1841) by John Ruskin is a children’s morality tale that still speaks loudly. It’s unique among fairy tales in having a punchy environmental and social message as well as being highly atmospheric. It’s about two brothers who exploit the land and have no compassion for their workers:

They shot the blackbirds, because they pecked the fruit; and killed the hedgehogs, lest they should suck the cows; they poisoned the crickets for eating the crumbs in the kitchen; and smothered the cicadas, which used to sing all summer in the lime-trees.

Their fertile valley becomes a wasteland and is cursed by the Southwest Wind (illustration below by Richard Doyle). To break the curse the brothers must journey to the Golden River but they fail to help the people they meet on the way. Their younger brother cares for the needy and as a result is saved from the fate of his brothers.

Pinocchio

Friday, December 16th, 2016

Would it be possible to find a more ungrateful boy, or one with less heart than I have! – Pinocchio

Pinocchio by Carlo Collodi (1882) is a rare thing: an archetypal story for children. The puppet-boy represents every disobedient, lazy child who must face life’s hardships, find parental love and grow up. It can also be read as a Christian allegory, a snapshot of society or as a myth. The language of this classic has barely dated. The best recent version is illustrated by Roberto Innocenti, capturing all the pathos of the tale – his iconic artwork combines painterly detail with cinematic angles. This dark, humourous adventure is a far cry from the sanitized (but beautiful!) Disney movie version.

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Chris van Allsburg Books

Friday, June 24th, 2016

Rare is the American child who finishes school without at least once being asked to write a story based on one of the eerie, enigmatically captioned illustrations from The Mysteries of Harris Burdick.– Meghan Gurdon

Picture books by Chris van Allsburg are not only beautifully illustrated, the stories are open to wide interpretation, which makes them ideal for children. It’s impossible to look at the pictures in Harris Burdick without imagining a story. (There’s also a spinoff, Chronicles of Harris Burdick, short stories by writers including Stephen King and Lemony Snickett). My other surreal favourites are Bad Day at Riverbend, about a black and white cowboy town attacked by a crayon – and The Wretched Stone, about a strange glowing stone which makes the people regress intellectually.

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Don’t Cross The Line – Review

Monday, May 9th, 2016

Gecko Press‘ latest picture book is that rare beast, a message book that also entertains – it’s also artfully designed with eight blank pages and sixty characters! In Don’t Cross the Line by Isabel Minhó Martins, an army general orders a guard to keep the right-hand page of the book blank. But a crowd of people build up on the border, desperately wanting to use the space. What can the guard do? People power succeeds in the end. It’s those eight blank pages that will speak to all ages about freedom:  children see an empty space and want to play in it; teenagers ask why it’s forbidden; and adults see the injustice in it. A wonderful concept with lively illustrations by Bernardo Carvalho. (Read about Peace books for children here)

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Farmer Palmer’s Wagon Ride

Saturday, March 19th, 2016

William Steig, (creator of Shrek) has been called ‘one of the finest cartoonists and creators of children’s books’ (Jonathan Cott). He began writing for children at 60 and his stories are often uncompromising but always celebrate the richness of relationships and nature. Steig used sophisticated language to entertain readers rather than befuddle them. farmer palmer cover

The picture book Farmer Palmer’s Wagon Ride is one of his most playful. A farmer-pig suffers a series of slapstick mishaps as he takes gifts home to his beloved family. I love his description of a rainstorm:

‘Harum-scarum gusts of wind … a drubbing deluge … thunder rambled and rumbled … it dramberamberoomed!’

Read the full article about William Steig and his books.

Read To Babies

Sunday, February 14th, 2016

Reading and brain development are linked almost from birth. A baby’s brain grows quickly (tripling in size in the preschool years) as the brain cells make connections with each other. What creates those connections? Reading and singing to a baby; playing with a baby; touch and eye contact. By six years old, a child has the most brain connections he or she will ever have. A baby who’s been introduced to books will start school with many literacy skills in place.

The amount of time the child spends listening to parents and other loved ones read continues to be one of the best predictors of later reading.– Maryanne Wolf

Reading and thinking can enhance each other. It’s our brain’s ‘plasticity’ that enables us to learn to read – reading creates brand new neural pathways and these then become the basis for new thinking. (More reading quotes here).

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 Spencer and his Dad

Thirteen Clocks

Sunday, January 3rd, 2016

The Thirteen Clocks, by James Thurber, is 60 years old and retains its brilliance. I can still recall whole sentences from when it was read to me as a child. This fairy tale parody, about a prince who performs impossible tasks to save a princess, uses every trick in the English language, including invented words ( ‘squtch’ and ‘zickering’). Look for the Ronald Searle illustrated version which has a bonus story, The Wonderful O, about a pirate who tries to ban the letter ‘o’. Here are some choice Thurber sentences:

Thorns grew thick and thicker in a ticking thicket of bickering crickets.

Time is for dragonflies and angels. The former live too little and the latter live too long.

A peasant in a purple smock stalked the smoking furrows, sowing seeds.

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A Wrinkle In Time

Friday, November 6th, 2015

A Wrinkle in Time by Madeleine L’Engle was ahead of its time with its story of wormholes and angels. Struggling writers should take note that it was rejected 26 times because its ideas were so ground-breaking back in 1960. Not unlike the current Dr Who, L’Engle combined engaging characters with a sci-fi plot that invoked the whole universe – I especially love the ending where a giant disembodied alien brain is defeated by love. Here’s what she said about children’s books:

You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children – Madeleine L’Engle

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Imagination

Thursday, October 29th, 2015

A book needs us desperately. We have to pull it off the shelf. We have to open it up. We have to turn the pages, one by one. We even have to use our imagination to make it work. So, suddenly, that book is not just a book; it’s our book. –  Mo Willems

The pictures are not very defined because one wants to be able to have the imagination playing over them. – Quentin Blake

Because they have so little, children must rely on imagination rather than experience. – Eleanor Roosevelt

“I could be bounded in a nutshell, and count myself a king of infinite space…”— Shakespeare (Hamlet)

Image: Two merging galaxies, from NASA’s Spitzer and Hubble Space Telescopes. (Credit: NASA, ESA/JPL-Caltech/STScI/D. Elmegreen (Vassar)

These shape-shifting galaxies have taken on the form of a giant mask. The icy blue eyes are actually the cores of two merging galaxies, called NGC 2207 and IC 2163, and the mask is their spiral arms. The false-colored image consists of infrared data from NASA's Spitzer Space Telescope (red) and visible data from NASA's Hubble Space Telescope (blue/green). 

NGC 2207 and IC 2163 met and began a sort of gravitational tango about 40 million years ago. The two galaxies are tugging at each other, stimulating new stars to form. Eventually, this cosmic ball will come to an end, when the galaxies meld into one. The dancing duo is located 140 million light-years away in the Canis Major constellation.

The infrared data from Spitzer highlight the galaxies' dusty regions, while the visible data from Hubble indicates starlight. In the Hubble-only image (not pictured here), the dusty regions appear as dark lanes.

The Hubble data correspond to light with wavelengths of .44 and .55 microns (blue and green, respectively). The Spitzer data represent light of 8 microns.

 

Best Titles For Children

Saturday, October 3rd, 2015

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Choosing a title is the fun stage of writing a book. The hard work over, I spend hours happily test-driving pithy, bizarre or lyrical titles. The greatest children’s titles describe some aspect of the plot, setting, or character, in striking words. My favourites titles are A Swiftly Tilting Planet and The Stupid’s Die; and I quite like my own, Global Norman (about global warming). Here are some classic titles of children’s literature:

* Character: Oliver Twist, Shrek, The Halfmen of O, Hairy Maclary from Donaldson’s Dairy, Flat Stanley

* Plot: Millions of Cats,  Journey To The Centre of the Earth, The Shrinking of Treehorn

*SettingOutside Over There, The Horror of Hickory Bay, The Black Island

*Theme: To Kill A Mockingbird, Something Wicked This Way Comes, Roll of Thunder Hear My Cry

* Joke: War and Peas, Squids Will Be Squids, Green Eggs and Ham

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Alice in Wonderland 150

Tuesday, September 8th, 2015

Alice in Wonderland (1865) is 150 years old. The book and its sequel, Through the Looking Glass (1871), by Lewis Carroll, were the first children’s novels to create a complete fantasy world. Before Alice, children’s books were mostly moralistic or religious, with titles such as ‘An Exact Account of the Conversion, Holy Lives and Joyful Deaths of Several Young Children’. The Alice books are infused with word play, parody of Victorian society, anarchy, and creepy characters (courtesy of Tenniel’s illustrations; the sheep below is my favourite). Alice revolutionized children’s literature.

John_Tenniel_Alice_and_the_Knitting_SheepBest Alice versions:

  • The lovely hardback version with Zadie Smith’s intro and Mervyn Peake’s pictures.
  • The Annotated Alice by Martin Gardner is the definitive geek’s guide.

 

The Phantom Tollbooth – Love Of Words

Monday, June 1st, 2015

More than any book I read as a child, The Phantom Tollbooth (1961) by Norton Juster,  gave me a love of words– it puns them, pushes them, and plunders their meaning. It’s overflowing with inventiveness: the man who is short, tall, thin and fat, at the same time; an orchestra that plays colours; a city that disappears because nobody cares. And I love the illustrations by Jules Feiffer, especially this faceless timewaster, The Trivium, who has a message for all writers:

What could be more important than doing unimportant things? … There’s always something to do to keep you from what you really should be doing.

The story is about a child’s quest to overcome boredom. It’s told with imagination, wit and wisdom — what more could you want in a children’s book?

 I had been an odd child: quiet, introverted and moody. Little was expected from me. Everyone left me alone to wander around inside my own head. When I grew up I still felt like that puzzled kid — my thoughts focused on him, and I began writing about his childhood. – Norton Juster

Best Books For Babies

Friday, May 22nd, 2015

The best picture books are like a marriage: the text and illustrations support each other but have a strong life of their own. For very young children the plot should be focused and the pictures comforting.  I Went Walking by Sue Williams is a perfect first book. The words are basic yet they incorporate repetition, questions, rhymes and humour. And the illustrations by Julie Vivas are sublime; leading the eye across the page in a dance of line, shape and colour. (See her gorgeous version of the Nativity too). 

Max’s Bath by Barbro Lindgren is another delightful book for preschoolers. Max dumps his toys and his food in the tub and then tries to wash the dog with predictable results. Max is a classic ‘terrible two year old’ combining charm and mischief.

The picture book Seasons by French artist, Blexbolex is a unique, meditative book for young children that adults will relish for it’s design. It’s a tactile treat, printed in chunky hardback on rough paper, like old comic annuals. Each page has a single word and a subtle image to illustrate it. No garish colours here, just the quiet passing of seasons.

The Little Prince

Sunday, January 25th, 2015

The Little Prince (1943) by Antoine de Saint-Exupéry is a fable about a pilot who crashes in the desert and meets a wise child. It’s one of the world’s most translated books (in 250 languages) and the top selling French book. It has the most intriguing sentence in all children’s literature:

What is essential is invisible to the eyes. (L’essential est invisble pour les yeux.)

What is ‘essential’? Is it truth, love, soul, uncertainty? These are the questions the story evokes. The opening chapter about following your dreams is brilliant. Saint-Exupéry was a pilot who also wrote great adventure books (eg. Wind, Sand and Stars ). His delicate watercolour illustrations are near perfect too.

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Struwwelpeter

Sunday, January 4th, 2015

The book has long oscillated between being accepted as harmless hilarity and being condemned as excessively horrifying- Humphrey Carpenter

Struwwelpeter (Pretty Stories and  Funny Pictures) by Dr Heinrich Hoffman (1845) is a classic of gleefully gruesome cautionary rhymes about naughty children. Hoffman was a psychiatrist who founded an influential Frankfurt asylum and pioneered counselling as an alternative treatment to cold baths. The characters in Struwwelpeter were inspired by his child patients – he’d tell them stories and draw pictures to calm them down. Hoffman was looking for a book for his three year old son and could only find ‘stupid collections of pictures, and moralising stories’, so he created Struwwelpeter. It was one of the first picture books designed purely to please children – before 1850 children’s books were mainly religious and moral lessons with titles such as An Exact Account of the Conversion, Holy Lives and Joyful Deaths of Several Young Children. Read more about ‘Shock-Headed’ Peter here.

The Awful Warning carried to the point where Awe topples over into helpless laughter.– Harvey Darton

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From Seuss To Smaug

Sunday, December 28th, 2014

Five years old, terrified on my first day at school. I sat on the hard mat and the teacher read Horton Hatches the Egg by Dr Seuss. I became so engrossed I didn’t notice my mother slip out. Horton the faithful elephant helped me get through that day.

Six years old, and absorbed in a cowboy adventure, Calico the Wonder Horse by Virginia Lee Burton. Gripped by this image of the Stewy Stinker crying in remorse for his wickedness – aware of my own naughtiness perhaps.

Seven years old, and Tintin was my role model for courage and integrity. The stories introduced me to sci-fi and humour, history and politics.

Eight years old, and The Phantom Tollbooth by Norton Juster opened the world of word-play to me, an addiction that remains today.

Nine years old, and I devoured Willard Price books as pulp adventures with erupting volcanoes, balloon rides and killer anacondas. I wanted to write books as exciting.

Ten years old, on the ultimate journey with a small hero facing the monstrous Smaug. The Hobbit kindled my imagination more than any other book. It was, as Tolkien said,

‘an escape to a heightened reality- a world at once more vivid and intense.’

Here’s the 1966 version that I owned, with a cover drawing by Tolkien himself (link to all Hobbit covers).

The Magnificent Moomin Comics

Saturday, December 6th, 2014

There is great exuberance in the Moomins, and a delightful battyness. – Jeanette Winterson

The Moomin comic strips by Tove Jansson (originally from the 1950s) are reprinted in five magnificent hardback volumes. The comics are a lovely balance of  humour and optimistism. The free-spirited Moomins live in the moment and these comics are still relevant, commenting on consumerism, the environment and work. For example, in The Conscientious Moomins, an officer of the League of Duty admonishes Moominpappa for being a drop-out; but when Moominpappa joins the establishment, all the pleasure goes out of his life, and he returns to his old philosophy of

‘Live in peace, plant potatoes and dream!’

 

The Strawberry Snatcher book

Sunday, November 23rd, 2014

The Grey Lady and the Strawberry Snatcher is a classic picture book that almost didn’t make it. It took Molly Bang years to create and it was repeatedly rejected by publishers – they said it was ‘peculiar-looking’ and that ‘children won’t relate to an old woman as a protagonist’. The manuscript sat in a drawer for years, was re-worked and finally published to some critical reviews, writes Molly Bang: ‘The New York Times that said that the weird-looking characters and flashy colors were an indication that I was part of the drug culture and the detailed pictures told no real story but were merely an excuse to show off.’ Then it won a Caldecott award and everything changed. Why? It’s a one-of-a-kind, off-the-wall book, and very creepy! I love the tiny fungi that grow where the Strawberry Snatcher has trod.

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Millions of Cats Masterpiece

Sunday, November 9th, 2014

Draw to live; live to draw –Wanda G’ag

This is Wanda G’ag (it rhymes with blog) one of the finest children’s book illustrators. Her masterpiece is Millions of Cats (1928) the story of a lonely old couple who attract ‘millions and billions and trillions of cats‘. The pictures roll like waves across the pages; clouds, trees, hills and cats all swept along in the flow of the story. The black and white gives it that slightly unsettling folktale vibe. As a child I loved the army of cats drinking a pond in seconds, and the final catastrophic catscrap. Try to find her bizarre Nothing At All too, about an invisible dog.

Here’s G’ag’s biography and one of her lithographs :

In Zuzz with Seuss

Saturday, October 18th, 2014

It was 1963, and I was terrified on my first day at school (primary!). I sat on the hard grey mat and the teacher read Horton Hatches the Egg to the class. I became so engrossed I didn’t even notice my mother slip out. That loyal elephant helped me get through that watershed day without too many waterworks. My other favourite Seuss characters were the Pale Green Pants and the Zizzer Zazzer Zuzz.  Seuss pushed the English language to the limit. Ever wonder why Green Eggs and Ham is so repetitive? Seuss only had a 50 word vocabulary list to work with, but he created a classic. By the way writers, his first book was rejected 27 times.

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200 Years of Grimm

Sunday, August 31st, 2014

Everything in the tales appears to happen by chance – and this has the strange effect of making it appear that nothing happens by chance, that everything is fated. – A. S. Byatt

One of the appeals of the 200 year old tales of the Brothers’ Grimm is how random events seem connected; as A. S. Byatt says in her excellent essay (online here). They are stories of generic princesses, simpletons, brothers and sisters who meet with good or bad ‘luck’ on their quest, yet are bound by the rules of the fairy tale world – a kind of guided randomness, but usually with a happy ending. Perhaps this is the way children see the world: capricious, a little scary, but ultimately, a hopeful place.

When I was a child I loved how the Grimm’s characters met the forces of their fickle, often gruesome, world with kindness and cunning. I’d lay in bed and listen to Danny Kaye’s brilliant reading of Clever Gretel on Sunday morning radio. The illustration above is by the great Arthur Rackham (more Grimm illustrations here).

Fairy tales are more than true; not because they tell us that dragons exist, but because they tell us dragons can be beaten.– G.K. Chesterton

A Wonder Book

Sunday, August 24th, 2014

The classic picture book Calico the Wonder Horse — The Saga of Stewy Stinker by Virgina Lee Burton was published in 1941. I adored this comic-book style cowboy adventure as a child mainly because of the bad guy. Stewy Stinker is so low he steals Christmas presents from children but in the end he repents. This picture of him crying out his rottenness always made me feel sorry for him:

The word ‘Stinker’ was censored from the book in the 1940s as it was considered inappropriate for children. Burton was one of the great illustrators and the idea for Calico from seeing her sons engrossed with comic books. The wonderful design, cartoon framing and action scenes of Calico are worthy of a modern graphic comic: the flash flood and stagecoach crash are gripping highlights. But it’s that haunting image of Stewy that will stay with me.

Sci-Fi Classics

Sunday, July 27th, 2014

I loved science fiction when I was a young teen – especially short stories about time travel, which usually had surprise endings. In Arthur C Clarke’s All the Time in the World, a man freezes time a second before a nuclear blast; in A Sound of Thunder, by Ray Bradbury, the death of an insect changes the course of history. I still have my old copy of Bradbury’s Golden Apples of the Sun; the Corgi paperback cost me 65 cents new in 1970 (about the hourly rate for raspberry picking in my summer holidays). A Wrinkle in Time by Madeleine L’Engle was a novel ahead of its time in 1960 (it was rejected 26 times by publishers). Its plot combines wormholes and angels and has a classic ending: a giant disembodied alien brain is defeated by love. L’Engle liked to tackle grand themes, as she said:

You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.

Tintin: a perfect level of abstraction

Wednesday, July 9th, 2014

Hergé was a master of evoking atmosphere. Think of the house of Professor Tarragon in The Seven Crystal Balls: the building of the storm, the heat leading to the burst tyre, the gust of wind as depicted by a slender tree against a slate grey sky, the sinister mummy in his cabinet, the ball lightning, Tintin’s nightmare (image below) – such a feeling of supernatural dread evoked by a confluence of natural events.

Despite the cinematic quality of Hergé’s stories, Tintin’s true home is in the comic book medium. He occupies a space at a perfect level of abstraction, real enough to evoke our world, pared back enough to activate the imagination. – Hugh Todd

Read the whole the interview with comic artist, Hugh Todd: My Dinner With Herge

 

Sylvester and Steig

Tuesday, July 1st, 2014

Sylvester and the Magic Pebble by William Steig was banned in 1969 in many states because it depicted police as pigs (even though they were kind pigs). The brilliantly absurd plot has Sylvester the young donkey trapped inside a boulder while his parents search frantically for him. It’s about a child’s fear of separation – Steig’s version of his favourite book, Pinocchio, about a boy trapped in a piece of wood. The ending is typical Steig: the child reunited with loved ones in with hugs and tears. When he was 15 years old, young William ran away to sea after an argument with his father:

When I finally got home, my mom and dad hugged and kissed me and we all cried. We were a very emotional family.

Read an essay about Steig and his books.

Books Are Old Friends

Sunday, June 22nd, 2014

Books are sensory objects – they have a pleasing look, a comforting smell, a grainy feeling, a reassuring weight. The best-loved ones are battered, dog-eared, coffee-stained, inscribed. You can lend a book, read it everywhere, stow it anywhere, hide treasures in it.  A book carries memories with it, locked into untold brain networks by all the experiences you had when reading it:

And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it.― Cornelia Funke (Inkheart)

A book works at my speed, comfortable and slow, faster when I want it to be, then slow again. Many of my books are old friends.– Jack Lasenby (interview here).

When you read a great book, you don’t escape from life, you plunge deeper into it. Reading and life are not separate but symbiotic. And for this serious task of imaginative discovery and self-discovery, there is and remains one perfect symbol: the printed book.– Julian Barnes

5 Ways To Spark Reading

Wednesday, May 14th, 2014

1. Have lots of books available.
Access to books is the key – children in homes with books stay at school 3 years longer than those without (books help children learn). Love your local library!

2. Read aloud.

  • start a book together and let the child finish it,
  •  read to a pet,
  •  have a family readathon.

The amount of time the child spends listening to parents and other loved ones read continues to be one of the best predictors of later reading. – Maryanne Wolf

3. Find the best books.
Use guides such as The Reading Bug by Paul Jennings, or best books lists.
Few children can resist books such as

4. Match books to children’s interests.
Whatever they want to read – comic books, science, or ghosts – they probably need it. Librarians love to help you find the right book.

You need a top story. You need a subject that interests a child. And you need something that they can read. – Paul Jennings

5. Interact with books.

  • write to the author,
  •  dress up as characters,
  •  create book artwork,
  •  write a book.

Oscar Wilde’s Best

Saturday, May 3rd, 2014

It’s really, really heartbreaking. But for some reason you want to read it again and again. It’s an extraordinary love story. It really is exquisitely written.– Michael Morpurgo

Almost every Sunday morning as a child  I’d listen to Oscar Wilde’s short story, The Happy Prince (1888), on the radio and cry into my pillow so my brother nearby wouldn’t hear. A statue being stripped of his gold to feed the poor seems an unlikely plot for children. I didn’t understand all of the lyrical language back then but I suspect the story shaped my attitudes to compassion and authority figures. Today I can see it’s also a touching story about two needy characters; and I like Wilde’s ideas about true happiness:

The living always think that gold can make them happy.

Listen to that original radio version read by the mellifluous Robert Morley. Still makes me cry.

5 Ways Books Help Children

Sunday, April 27th, 2014

Perhaps it is only in childhood that books have any deep influence on our lives. – Graham Greene

In a world that offers children so many digital delights, why bother with books?

1. Books help children understand the world

Books expose children to new ideas and help shape their world view – reading is a meeting of minds.

While reading, we can leave our own consciousness, and pass over into the consciousness of another person, another age, another culture – Maryanne Wolf

2. Books help children understand themselves

Stories give a frame of reference by which they can measure their experiences and feelings.

We read books to find out who we are. – Ursula K Le Guin

3. Books develop children’s imagination

Reading is imagination, and imagination enriches the real world.

Children do not despise real woods because they have read of enchanted woods; the reading makes all woods a little enchanted. – C.S. Lewis

4. Books develop children’s brains

Books boost a child’s intellectual development. The brain changes when children learn to read: it creates new neural pathways which are the basis for innovative thinking. Reading and thinking enhance each other.

5. Books are enjoyable.

Ultimately a child must want to read. The child who reads for pleasure is forming a wonderful habit – and there’s also pleasure for parents in reading aloud.

See also: Guide To Best Books For Children

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