Flannery O’Connor On Writing

Fiction should be both canny and uncanny. – Flannery O’Connor

The best short story I’ve ever read is Flannery O’Connor’s A Good Man Is Hard To Find – it certainly has the most powerful ending. Her stories can be dark, her characters grotesque, but there’s always a redemptive thread and a tough spirituality that’s never preachy. O’Connor honed her writing to near perfection despite the pain of lupus which killed her at the age of 39. Here are some of her incisive thoughts about the writing process from her collection of essays and lectures, Mystery and Manners:

If you want to write well and live well at the same time, you’d better arrange to inherit money.

When I sit down to write, a monstrous reader looms up who sits down beside me and continually mutters, ‘I don’t get it, I don’t see it, I don’t want it.’

Fiction is about everything human and we are made of dust, and if you scorn getting dusty, then you shouldn’t write fiction.

There’s a certain grain of stupidity that the fiction writer can hardly do without and this is the quality of having to stare, of not getting to the point at once.

As grace and nature have been separated, so imagination and reason have been separated, and this always means an end to art. The artist uses his reason to discover an answering reason in everything he sees.

The writer has to judge himself with a stranger’s eye and a stranger’s severity.

 

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